Ascending, Watercolor & Salt on Paper, 22"x30", 2021
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Ascending #2, Watercolor & Salt on Paper, 22"x30", 2021
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A Subtle Hope
14 Large scale paintings installed in the Fuller Seminary Chapel (2020-2022).
The artist statement for these works is published here.
The artist statement for these works is published here.
After Santee, Watercolor and Salt on Paper, 10'x14', 2019
Studio View: Embodied and Amazon (the Earth's Lungs are on FIRE) Watercolor and Salt on Paper, 3.5'x 9', 2019
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A Subtle Hope, Fuller Seminary Chapel, 2020-2022
X-Ray, Watercolor and Salt on Paper, 3.5'x9', 2019
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These are some of my first forays with watercolor & salt and brushprints, strongly influenced by the maritime forest and brackish waters of my home on Hilton Head Island.
Horizon Lines, Watercolor and Sumi-e Ink with Salt on Paper, 2014
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Horizon Lines, Watercolor and Salt on Paper, 2014
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Camouflage, Watercolor and Salt on Paper, 30"x44", 2014
Oysters, Watercolor and Gouche on Paper, 2014
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Forrest for the Trees, Watercolor and Salt on Rives BFK, 30"x44", 2014
Oysters, Watercolor and Gouche on Paper, 2014
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I've Got Something to Say
Hand Carved Linocuts on Fabriano Medioevalis, 6"x8", 2015
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Questions, Comments, Concerns
Hand Carved & Hand Pulled, Rives BFK, Variable Dimensions, 2012
Rules for Healthy Living
This was my first artwork to go viral. It has been interesting to meet people years later who say "Oh wow! I know your work from Tumblr."
Hand-carved and Pulled Linocut, Rives BFK, 22"x30", 2012
Long-Term Solutions
A personal commitment to always be working towards solutions.
Problem Solving, Hand-carved and Pulled Linocut, Rives BFK, 30"x22", 2012
Carpe Diem
This is my family's take on that oft used phrase.
This is my family's take on that oft used phrase.
Colored Pencil on Rives BFK, 22"x60"
The Fragrance Bar @ MOCAD
My thesis project for Cranbrook Academy of Art proposed the idea that perfume is a print, because it can be set to a limited edition and is a layered thing. On opening night I mixed signature fragrances for individuals.
Buoys
These navigational markers came about when I lived in a landlocked place for an extended period of time.
Mixed Media, Variable Dimensions
<3
These heart/love drawings evolved from all of the relationships I saw being played out among students during my time as a dorm mother. They maintain the sketchy ernest qualities of the relationships.
Sharpie and Colored Pencil on Unlined Index Cards, 5"x7", 2005-2007
Sharpie and Colored Pencil on Unlined Index Cards, 5"x7", 2005-2007
Envelope
Undergraduate Thesis Exhibit, Barrington Gallery, Gordon College, Wenham, Massachusetts, December 2004
The Mountains, Monotype, Rives BFK, 22"x30", 2004
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Galaxy, Monotype, Rives BFK, 3"x3", 2011
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Suora
They were done in response to a Vespers service I attended while studying in Orvieto, Italia.
Sharpie & Liquid White-Out on Watercolor postcards, 2004
Sharpie & Liquid White-Out on Watercolor postcards, 2004
The Pool
As a collegiate swimmer I spent a lot of time watching the tiled lane line at the bottom of the pool glide past. This piece copies that motif.
Monotype and Gold Leaf on Rives BFK, 18"x36", 2003