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I have moved my technology desk this week & in the process of weeding out discovered many wonderful things. Among them this painting. Which I remember painting a few years ago & being disappointed with, but filing away because I have a strict five year evaluation policy. I keep work for five years & then if I wouldn't be mortified by its appearance in a retrospective or see that I am still pursuing a similar idea, I keep it. Otherwise it gets chucked. While I still see the things that bothered me I also see some of the merits of this image. It will stick around for a few more years to see if it truly passes muster... Let me know how you evaluate your work in the comments.
Emily Garfield paints wonderful imaginary maps. They are mashups of memory, cell structure & personal experience. These paintings are an excellent counterpoint to the precision of GPS laden imagery we are presented with daily. The subversive whimsy of this work is delightful. Emily's website is a treasure trove of images & concepts, her etsy stocked with lovely prints & drawings (lots of good Valentine's over there y'all), while her instagram & twitter will keep you up to date on her latest happenings. Peruse her #PaletteProject responses below & then go get lost in the cartographic world of Emily. I highly recommend it. What color do you wish wasn't there?
I ended up using all the colors but I did have trouble with the small bit of turquoise that's on there. I don't tend to go for bright colors, but it did add interest in some of the drawings I did. What is your favorite brush? I generally get relatively inexpensive brushes from Blick. I try to take care of them, but it helps me not be so precious if I know I can easily replace them. What is your favorite paper/surface to paint on? I work almost exclusively on watercolor paper. What is your favorite color to work with? I end up with a lot of blues and greens because my drawings are generally maplike, but I actually don't like blue. Lately I've been into brown and navy/indigo. BY RALPH WALDO EMERSON Announced by all the trumpets of the sky, Arrives the snow, and, driving o'er the fields, Seems nowhere to alight: the whited air Hides hills and woods, the river, and the heaven, And veils the farm-house at the garden's end. The sled and traveller stopped, the courier's feet Delayed, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of storm. Come see the north wind's masonry. Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, nought cares he For number or proportion. Mockingly, On coop or kennel he hangs Parian wreaths; A swan-like form invests the hidden thorn; Fills up the farmer's lane from wall to wall, Maugre the farmer's sighs; and, at the gate, A tapering turret overtops the work. And when his hours are numbered, and the world Is all his own, retiring, as he were not, Leaves, when the sun appears, astonished Art To mimic in slow structures, stone by stone, Built in an age, the mad wind's night-work, The frolic architecture of the snow. "In the tumultuous privacy of the storm..." Such language! Love it! Do you have a favorite phrase in this poem? Please share it in the comments.
The camellias are too beautiful right now to not be documented. Despite cooler temperatures they are thriving. I do not know if I will ever become accustomed to flowers in the winter, but I am thankful for them.
This pattern is in two colorways. The top warm toned is called, "Maybe peaches, darling?" the bottom cool toned is called, "Sailing the sea to meet you." Both are available on society6 & today there is free shipping worldwide. If you want to continue registering your opinion about yesterday's jellyfish pattern I will tally the votes on Monday.
This started as a painting with Dr. Ph. Martins Radiant Watercolours, but morphed into a photoshop experiment. Let me know which background color you prefer & I will upload that version to society6: cobalt (pictured above), mustard (bottom left), or midnight (bottom right).
I love Laurent's work. The flat primitive elements combined with excellent color yields dynamic images. The subtle details he adds make each image a wonderful surprise to explore. I strongly recommend checking out his website & his blog for further delights. What color do you wish wasn't there?
I'd like to say the purple. I tried to use this color on my illustrations but it was not very successful… What is your favorite brush? I like to use differents shapes of brushes. Small and big sizes. But I like to draw with brush, so I prefer smallest brush. What is your favorite paper/surface to paint on? On paper for the moment! I make illustrations for books or prints, so I prefer to work on similar surface like the final result. What is your favorite color to work with? I love the red. It's the color of blood, love, emotion… And I can paint many different elements with the red : human skin, flower, tree, clothes…
Despite the grey January days, there is still plenty of natural color to be found if you look for it. |
If you are interested in licensing or commission work please contact me.
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